GETTING STARTED
Up and running in under 5 minutes
CHOOSE YOUR INPUT
Contrapunk turns notes into harmony. Pick how you want to send notes in:
MIDI KEYBOARD
Plug in a USB MIDI controller. The fastest way to get started.
GUITAR
Audio interface required. Real-time pitch detection converts your playing to MIDI.
BROWSER ONLY
No install needed. Use Web MIDI or the on-screen keyboard.
BROWSER (QUICKEST START)
Open app.contrapunk.com in Chrome or Edge (Web MIDI requires Chromium).
Select an input device from the dropdown. If you have a MIDI controller plugged in, it will appear here.
Select an output device. To hear sound, you need a software synth receiving MIDI. On macOS, set up an IAC Driver to route MIDI to your DAW or synth app.
Press Start. Play a note. Hear harmony.
MIDI KEYBOARD
WHAT YOU NEED
- A USB MIDI controller (any keyboard, pad controller, or wind controller)
- A software synth or DAW to receive the harmonized MIDI output
Go to app.contrapunk.com in Chrome or Edge.
For the lowest latency, download the macOS app (9.6 MB).
Plug in your MIDI controller. It should appear in the Input dropdown. Select it.
For output, select your synth's MIDI port, or use an IAC Driver to route to a DAW.
Pick your settings:
- Key + Scale: set the musical key (e.g. C Major, D Dorian)
- Harmony Mode: choose how harmony is generated (Diatonic Thirds, Contrary Motion, Strict Counterpoint, etc.)
- Voice Leading: Palestrina, Bach, Jazz, or Free
Press Start. Every note you play generates harmony voices in real-time following the counterpoint rules you selected.
GUITAR INPUT
WHAT YOU NEED
- An electric guitar (or acoustic with pickup)
- An audio interface (e.g. Focusrite Scarlett, Audient iD14, etc.)
- A software synth or DAW to receive MIDI output
Plug your guitar into your audio interface. Download the macOS app (native recommended for lowest latency).
In the Guitar Input panel, select your audio interface from the device dropdown. Choose the correct channel (usually 1 for mono guitar).
Click Tune + Calibrate. Tune each string when prompted. Contrapunk learns your guitar's response: gain levels, noise floor, and string characteristics.
Calibration only takes 30 seconds and dramatically improves detection accuracy. Do it once per guitar.
Strum your guitar. The signal meter should respond. If it looks flat, check:
- Correct channel selected
- Audio interface gain is up
- Guitar volume knob is up
Set your key, scale, and harmony mode. Press Start. Play single notes or melodies. Contrapunk detects each note and generates harmony in real-time.
For best results, play clean single notes. Chords and heavy distortion make pitch detection harder. Clean tone works best.
IAC DRIVER SETUP (MACOS)
IAC (Inter-Application Communication) is a virtual MIDI bus built into macOS. It lets Contrapunk send MIDI to any app: Logic, Ableton, GarageBand, a standalone synth, etc.
Open Audio MIDI Setup (search in Spotlight or find in /Applications/Utilities).
If you don't see the MIDI Studio window, go to Window > Show MIDI Studio.
Double-click IAC Driver in the MIDI Studio window.
Check Device is online.
You should see at least one port listed (usually "Bus 1"). That's all you need.
Back in Contrapunk, the IAC Driver port will now appear in the Output dropdown. Select it.
In your DAW or synth app:
- Logic Pro: create a Software Instrument track. MIDI from IAC is received automatically.
- Ableton Live: Preferences > MIDI > enable IAC Driver as input (Track + Remote).
- GarageBand: create a Software Instrument track. IAC MIDI appears automatically.
IAC is macOS only. On Windows, use loopMIDI for virtual MIDI routing. On Linux, JACK or ALSA virtual ports work similarly.
WHAT NEXT
- Try different harmony modes: Strict Counterpoint follows Renaissance rules, Barry Harris uses jazz 6th diminished movement
- Experiment with voice leading styles: Palestrina rejects parallel fifths, Jazz allows them
- Enable modal interchange to harmonize out-of-scale notes by borrowing from parallel modes
- Try the style presets for instant character changes
- Adjust humanization for timing jitter, velocity variation, and swing